96 pages / 6.00 x 9.00 inches / no illustrations
History / United States - Civil War Period | Poetry / American-General | Poetry / Places
Based on two years living and researching in Gettysburg, Pennsylvania, What Though the Field Be Lost uses the battlefield there as a way to engage ongoing issues involving race, regional identity, and the ethics of memory.
With empathy and humility, Kempf reveals the overlapping planes of historical past and public present, integrating archival material—language from monuments, soldiers' letters, eyewitness accounts of the battle—with reflection on present-day social and political unrest. Here monument protests, police shootings, and heated battle reenactments expose the ambivalences and evasions involved in the consolidation of national (and nationalist) identity. In What Though the Field Be Lost, Kempf shows that, though the Civil War may be over, the field at Gettysburg and all that it stands for remain sharply contested.
Shuttling between past and present, the personal and the public, What Though the Field Be Lost examines the many pasts that inhere, now and forever, in the places we occupy.
Christopher Kempf is the author of the poetry collection Late in the Empire of Men. His work has appeared in the Believer, Best American Poetry, the Kenyon Review, the New Republic, PEN America, and elsewhere. He is the recipient of a Pushcart Prize, a fellowship in poetry from the National Endowment for the Arts, and a Wallace Stegner Fellowship from Stanford University. Kempf teaches in the MFA program at the University of Illinois.
“This is a brilliant and beautifully ambivalent volume in which the poet uses his entire self to make whole and healing poems.”—Jericho Brown, author of The Tradition, winner of the Pulitzer Prize for Poetry
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