The Court of No Record

The Court of No Record - Cover

Poems

by Jenny Molberg

90 pages / 6.00 x 9.00 inches / no illustrations

ebook available

Poetry / American-General | Poetry / Women Authors | Social Studies / Gender Studies

Paperback / 9780807179024 / February 2023

Jenny Molberg’s third collection of poetry, The Court of No Record, serves as both evidence and testimony against a legal system that often fails victims of physical trauma and domestic abuse. Drawing inspiration from true crime investigations and artifacts, including Frances Glessner Lee’s crime scene dioramas and the tragic aftermaths of two serial killers who preyed upon women in Baton Rouge, Louisiana, Molberg probes a cultural obsession with violence that performs active erasure of victims’ lives. By engaging with historical texts through a personal lens, she sheds light on survivors who do not find justice and looks toward a future of positive systemic reformation.

Jenny Molberg is the author of the poetry collections Marvels of the Invisible and Refusal. As a National Endowment for the Arts fellow, she has published in Ploughshares, the Rumpus, AGNI, Adroit Journal, Oprah Quarterly, and other literary outlets. She is associate professor of creative writing at the University of Central Missouri, where she edits Pleiades.

Praise for The Court of No Record

“In Jenny Molberg’s harrowing new collection, the witness of documentary poetry meets the fearlessness of the confessional mode. What results is a book of powerful testimony.”—Shara McCallum

“Molberg’s The Court of No Record questions our fascination with violence—specifically against women—and our woefully inadequate and misogynist response to it. Dead, abused, or threatened women (the stuff of so much of our detective/thriller entertainment) are given voice in these fearless poems. This is gorgeous poetry of witness, of social and political examination, of deep intelligence, and of a valiant heart.”—Denise Duhamel

The Court of No Record takes us on a Dantesque journey through the infernal landscapes of toxic masculinity, intimate partner violence, and legal chicanery as the speaker’s poems are used as evidence against her.”—Philip Metres

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